Devin Townsend Wikia
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Devin Garret Townsend (born May 5, 1972) is a Canadian musician, songwriter and record producer. He was the founder, songwriter, vocalist, and guitarist in extreme metal band Strapping Young Lad from 1994 to 2007 and has had an extensive career as a solo artist.

After performing in a number of heavy metal bands in high school, Townsend was discovered by a record label in 1993 and was asked to perform lead vocals on Steve Vai's album Sex & Religion. After recording and touring with Vai, Townsend was discouraged by what he found in the music industry, and vented his anger on the solo album Heavy as a Really Heavy Thing released under the pseudonym Strapping Young Lad. He soon assembled a band under the name, and released the critically acclaimed City in 1997. Since then, he has released three more studio albums with Strapping Young Lad, along with solo material released under his own independent record label, HevyDevy Records.

Townsend's solo albums, a diverse mix of hard rock, progressive metal, ambient, and new-age, have featured a varying lineup of supporting musicians. In 2002 he formed the Devin Townsend Band, a dedicated lineup which recorded and toured for two of his solo releases. In 2007, he disbanded both Strapping Young Lad and the Devin Townsend Band, taking a break from touring to spend more time with his family. After a two-year hiatus, he began recording again, and soon announced the formation of the Devin Townsend Project. The project began with a series of four albums, released from 2009 to 2011, each written in a different style, and Townsend continues to record and tour under the new moniker.

Across all his bands and projects, Townsend has released twenty-three studio albums and three live albums. Townsend's trademark production style, featuring a heavily multitracked wall of sound, has been compared to the styles of Phil Spector and Frank Zappa. His versatile vocal delivery ranges from screaming to an opera-esque singing, and his songwriting is similarly diverse. Townsend's musical style is rooted in metal, and his albums are written to express different aspects of his personality.

Biography[]

Early musical career (1972–1994)[]

Devin's high school yearbook entry

Devin Townsend was born in New Westminster, British Columbia, on May 5, 1972.[1] Townsend picked up the banjo when he was five, and began playing guitar when he was 12. As an early teenager he befriended Brian Waddell, who would later play guitars as part of the Devin Townsend Band and bass on the Devin Townsend Project.[2] He participated in several metal bands while he was in high school, and founded Grey Skies at the age of 19. Around the same time he joined a popular local group called Caustic Thought, replacing Jed Simon on guitar and playing alongside bassist Byron Stroud, both of whom would later become members of Townsend's flagship band, Strapping Young Lad.[3] In 1993, Townsend began writing material under the name Noisescapes, a project he later described as "just as violent as Strapping Young Lad".[4]

Townsend recorded a Noisescapes demo and sent copies to various record labels wrapped in pairs of his used underwear to attract attention.[5] Relativity Records responded to Townsend with a record deal and Townsend began work on what was to be the first Noisescapes album, Promise.[6] Shortly afterward, the label introduced him to musician Steve Vai. Impressed with Townsend's vocal work, Vai offered him the role of the lead vocalist on his new album Sex & Religion. Townsend accompanied Vai on a world tour in support of the album.[6] Townsend soon landed a second touring gig, this time with the opening band of Vai's tour, the Wildhearts. He played live with the band throughout half of 1994 in Europe, and appeared as a guest musician on their single "Urge." Ginger, the band's frontman, remained close friends with Townsend, later co-writing several songs on Infinity and the Christeen (Plus Four Demos) EP.

While on tour with the Wildhearts, Townsend formed a short-lived thrash metal project with Metallica's then-bassist Jason Newsted. The band, known as IR8, featured Newsted on vocals and bass, Townsend on guitar, and Tom Hunting of Exodus on drums. The group recorded a few songs together, although Townsend says that they never intended to go further than that. "People heard about it and thought we wanted to put out a CD, which is absolutely not true," he explains. "People took this project way too seriously."[4] A demo tape was put together, but the material was not released until 2002, when Newsted published the IR8 vs. Sexoturica compilation.

Though Townsend was proud of what he had accomplished so early in his career, he was discouraged by his experience with the music industry. He pushed to get his own projects off the ground. Despite getting notable touring gigs with other musicians, however, Townsend continued to face rejection of his own music. Relativity Records dropped Noisescapes from their label shortly after Townsend accepted Vai's offer, seeing no commercial appeal in Townsend's music.[7] "I have a hunch they only offered me a deal to get me to sing with Steve," he mused.[4] While touring with the Wildhearts, Townsend received a phone call from an A&R representative for Roadrunner Records, expressing an interest in his demos and an intention to sign him. The offer was ultimately rescinded by the head of Roadrunner, who regarded Townsend's recordings as "just noise".[8]

Heavy as a Really Heavy Thing through Infinity (1994–1998)[]

In 1994, Century Media Records offered Townsend a contract to make "some extreme albums".[8] He agreed to a five-album deal with the record label,[9] and also provided much of the guitar work on the 1994 album Millennium and the 1995 album Hard Wired by Vancouver industrial band Front Line Assembly. Townsend began to record material under the pseudonym Strapping Young Lad. He avoided using his real name at this point in career, looking for a fresh start after his high-profile Vai gig. "At the beginning, I wanted to avoid at all cost to use my name because I was known as the singer for Steve Vai and it wasn't the best publicity to have," he later explained. "I was playing somebody else's music and I was judged in respect to that music."[10] Townsend produced and performed nearly all the instruments on the debut studio album, Heavy as a Really Heavy Thing, which was released in April 1995.

Following the release of the record, Townsend and several other musician friends he knew in Vancouver recorded, as Punk Brüster, his first solo album in 1996 entitled Cooked on Phonics. Written and recorded in under a month, the album was produced as a parody of punk rock bands and documents the act of selling out for mainstream success. Townsend founded his own independent record label, HevyDevy Records, to release the album. Townsend assembled a permanent lineup of Strapping Young Lad to record City, including prolific metal drummer Gene Hoglan, along with Townsend's former bandmates Jed Simon on guitar and Byron Stroud on bass. The industrial-influenced[11] album was released in 1997. To this day, the album is widely considered Strapping Young Lad's best work,[12][13] with Metal Maniacs calling it "groundbreaking" and Revolver naming it "one of the greatest metal albums of all time". Townsend himself considers it the band's "ultimate" album.[14] Later that year, Townsend released his second solo album, Ocean Machine: Biomech. The album featured a mix of hard rock, ambient, and progressive rock.[15]

After the completion of twin albums City and Ocean Machine: Biomech, Townsend began to approach a mental breakdown. "I started to see human beings as little lonesome, water based, pink meat," he explained, "life forms pushing air through themselves and making noises that the other little pieces of meat seemed to understand." In 1997, he checked himself into a mental-health hospital, where he was diagnosed with bipolar disorder. The diagnosis helped him understand where the two sides of his music were coming from; he felt his disorder "gave birth to the two extremes that are Strapping's City record and Ocean Machine: Biomech."[16] After being discharged from the hospital, Townsend found that "everything just clicked" and he was able to write his third solo album, Infinity, which he described as "the parent project" of City and Ocean Machine: Biomech,[16] with music influenced by Broadway.[15] Townsend returned to the studio, accompanied by Hoglan, to work on the album, on which Townsend played most of the instruments. Infinity was released in October 1998. Later in his career, Townsend has cited Infinity as his favorite solo record.[11]

With Infinity, Townsend began to label all albums outside of Strapping Young Lad under his own name, dropping the Ocean Machine moniker, to reduce confusion. He wanted to show that despite the highly varied nature of his projects, they are all simply aspects of his identity. The album Biomech was relabeled and redistributed as Ocean Machine: Biomech, under Townsend's name, to reflect the new arrangement. Townsend's bandmates began to play two sets at their shows, one as Strapping Young Lad and one playing songs from Townsend's solo albums.[5]

Physicist and Terria (1999–2001)[]

Townsend's next project took several years to come to fruition. After the creation of the IR8 demo tape, Townsend and Jason Newsted had begun work on a new project called Fizzicist, which they described as "heavier than Strapping Young Lad". When the IR8 tape was leaked, Newsted's Metallica bandmates James Hetfield and Lars Ulrich learned of the project. Hetfield was "fucking pissed" that Newsted was playing outside the band, and Newsted was prevented by his bandmates from working on any more side projects.[17] With the project stalled, Townsend instead wrote the album himself, entitling it Physicist. Townsend assembled his Strapping Young Lad bandmates to record it, the only time this lineup was featured on a Devin Townsend album.[5] The thrash-influenced[15] Physicist was released in June 2000, and is generally considered a low point in Townsend's career. Hoglan and the rest of the band were dissatisfied with the way the sound was mixed,[18] and Townsend considers it his worst album to date.[19]

Feeling he had "ostracized a bunch of fans" with Physicist, Townsend felt he had the chance to make a more personal and honest record.[11] Townsend was inspired one morning while driving across Canada with his band, and looked to write an "introspective" album dedicated to his homeland. He produced and recorded Terria, a "highly illustrated stream-of-consciousness" album,[11] with Gene Hoglan on drums, Craig McFarland on bass and Jamie Meyer on keyboards. Townsend cited Ween's White Pepper as an inspiration for the album.[11] Terria was released in November 2001.

Strapping Young Lad through Synchestra (2003–2006)[]

Townsend's solo run lasted until 2002. After a five-year break from recording, Strapping Young Lad reunited to record a new album. Townsend credits the album, Strapping Young Lad, as an emotional response to the attacks of September 11, 2001, in the United States. "If the world's about to blow up," said Townsend, "let's write the soundtrack for it."[18] The album's lyrics were based more around fear and insecurity than the "hostile" lyrics of City.[11] Musically, Strapping Young Lad was less industrial than City,[20] and more reminiscent of death metal, with a "larger-than-life" rock production style.[11] Townsend cited Front Line Assembly, Grotus, and Samael's Passage as influences.[11] The self-titled album was released in February 2003. It received lukewarm reviews, with critics finding it inferior to City,[21][22] but it was the band's first charting album, entering at 97th place on Billboard's Top Heatseekers chart.[23]

While Strapping Young Lad was being reunited, Townsend formed a new, permanent band "on par with Strapping" to record and tour for his solo releases.[11] The Devin Townsend Band consisted of Brian "Beav" Waddell on guitar, Mike Young on bass, Ryan Van Poederooyen on drums, and Dave Young on keyboards. Townsend performed guitar, vocals, and production, as he did in Strapping Young Lad. Townsend worked on the band's first album, Accelerated Evolution, at the same time he was working on Strapping Young Lad, spending half the week on one and half on the other.[24] Accelerated Evolution, named for the pace of putting a new band together in under a year,[11] was released a month after Strapping Young Lad. Mike G. of Metal Maniacs called it "the album of the year", praising it for "the hard-to-accomplish trick of being extreme yet accessible, simultaneously heavy 'n' rockin' yet majestic and beautiful."[15] Prior to the formation of the Devin Townsend Band, Townsend had represented his solo releases live with the Strapping Young Lad lineup; the band would play one set of Strapping Young Lad songs and one set of Devin Townsend songs.[25] After the release of Accelerated Evolution, Townsend's two bands toured separately for their separate albums.[5]

Strapping Young Lad began working on their next album, Alien, in March 2004.[26] Feeling that the band's previous album did not live up to expectations, Townsend decided to take his music to a new extreme.[27] To prepare for the new album, Townsend stopped taking the medication prescribed to treat his bipolar disorder.[28] "I think that as an artist, in order for me to get to the next plateau, I kind of feel the need to explore things and sometimes that exploration leads you to places that are a little crazy," he explains. "And Alien was no exception with that."[29] Although Townsend considered the album an "impenetrable mass of technicality", it was well received on its release, selling 3,697 copies in its first week[30] and appearing on several Billboard charts. Around this time, Townsend also contributed to the soundtrack of the video game Fallout: Brotherhood of Steel.[31]

Shortly thereafter Townsend began putting together the next Devin Townsend Band record, with the working title Human.[32] Townsend intended the album as the more "pleasant" counterpart to Alien. "It's basically a record about coming back down to earth after being in space with Alien for a while."[29] The album ended up being renamed Synchestra and was released in January 2006. Townsend showcased a wide variety of musical styles, blending his trademark "pop metal" with influences from folk, polka, and Middle Eastern music.[33] The final Strapping Young Lad album, The New Black, was released later in 2006.

Ziltoid the Omniscient and hiatus (2006–2008)[]

Townsend withdrew from touring to spend time with his family. From home, Townsend completed his second solo ambient album, The Hummer, releasing it exclusively on his website in November 2006.

In May 2007, Townsend released Ziltoid the Omniscient, a tongue-in-cheek rock opera about the eponymous fictional alien. This was truly a solo album; he programmed the drums using Drumkit from Hell,[34] a software drum machine that uses samples recorded by Tomas Haake of Meshuggah[35] and played all other instruments himself. Shortly after the album's release, Townsend announced that he no longer planned to tour or make albums with Strapping Young Lad or the Devin Townsend Band. He explained that he was "burnt out on travelling, touring, and self promotion" and wished to do production work, write albums, and spend time with his family without the stress of interviews or touring.[36]

In 2008, Townsend lent his voice to characters in several episodes of the Adult Swim cartoon Metalocalypse. The original character design for Pickles the Drummer, one of the series' main characters, bore a striking resemblance to Townsend. The series' co-creator Brendon Small acknowledged the similarity, and altered the design before the series began. "We made sure he didn't look like Devin Townsend. We gave him the goatee and the dreadover so he wouldn't look like that."[37]

Devin Townsend Project (2008–2012)[]

After removing himself from the music industry, Townsend cut his trademark hair off[38] and gave up drinking and smoking.[39] Townsend found it "disconcerting" that he had difficulty writing music without drugs, and that he had trouble identifying his purpose as a musician. He spent a year producing albums in absence of writing, but found it unrewarding and decided to "pick up the guitar and just write".[38] This began a period of "self discovery"[39] where he learned "how to create without drugs".[40]

Over two years, Townsend wrote over 60 songs, and found that they fit into "four distinct styles".[38] In March 2009, Townsend announced his plans for a four-album series called Devin Townsend Project,[40] with the goal of clarifying his musical identity and being "accountable" for the persona he projects to the public.[38] The project's concept includes a different "theme" and a different group of musicians on each album.[40]

Ki, the first album of the Devin Townsend Project tetralogy was written to "set the stage" for the subsequent albums.[40] Townsend channelled his new-found control and sobriety into Ki, a "tense, quiet" album, which contrasts with much of the music he had been known for. Additional female vocals were provided by Ché Aimee Dorval, who later worked directly with Townsend in their group Casualties of Cool.[38] Ki was released in May 2009.[41]

The second entry, a "commercial, yet heavy" album called Addicted, was released in November 2009 and features lead vocals from Townsend and Dutch singer Anneke van Giersbergen. Brian Waddell was recruited from the Devin Townsend Band to play bass.[2]

Townsend returned to the stage in January 2010, touring North America with headliner Between the Buried and Me as well as Cynic and Scale the Summit. This was followed by a headlining tour in Australia and a series of high-profile shows in Europe (for example co-headlining the Brutal Assault festival in Czech Republic). He headlined a North American tour with UK label mates Tesseract supporting, which began in October 2010, and toured in Europe with support from Aeon Zen and Anneke van Giersbergen.[42]

The third and fourth albums in the Devin Townsend Project series, Deconstruction and Ghost, were released simultaneously on June 21, 2011. In December 2011, all four Devin Townsend Project albums with additional material were released as the Contain Us box set.[43] Townsend performed all four of Devin Townsend Project albums in London and recorded them for a DVD box set called By a Thread that was released on June 18, 2012. The first three shows were held at the University of London Union, November 10–12, 2011. Ki, Addicted, and Deconstruction were each performed on one night, respectively. The show for Ghost was held at the Union Chapel, Islington, on November 13, 2011.[44] These four shows were each entitled "An Evening with the Devin Townsend Project".[45]

Despite the Devin Townsend Project being originally a four-album series, Townsend decided to continue working under the moniker and released the fifth album, Epicloud on September 18, 2012. Again featuring van Giersbergen on vocals, the album appeared on several European charts, peaking at number 8 in Finland.[46] On October 27, 2012, Devin Townsend performed a one-off show covering his musical career called The Retinal Circus at then Roundhouse in London. The 3-hour performance was recorded in high definition and released on DVD and Blu-ray on September 30, 2013.[47][48] Also in 2012, Townsend played bass on the debut Bent Sea album Noistalgia, also producing the record.[49]

Another project Townsend has mentioned several times between 2009 and 2012 is Obviouser, an album featuring "creepy, bass driven apocalyptic music" created with an "Ampeg rig" and an "Icelandic choir".[50][51] Working with many projects simultaneously at that time, Townsend stated in 2012 the Obviouser project is vying for pole position until "he wakes up and says 'he wants to do it'".[51]

Casualties of Cool and (2012–present)[]

After Deconstruction and Ghost, Townsend announced a new album, Casualties of Cool,[52] with which he started to work after the release of Epicloud. The album features Ché Aimee Dorval (from Ki) on vocals and Morgan Ågren on drums.[53] Townsend described the album sounds like "haunted Johnny Cash songs" and "late night music", highlighting it will be different than anything he has done before.[52] Townsend referred the music of the album to be "closest to his heart" at this point of his life, and that it is an important and satisfying project he doesn't want to rush. The album was completed on November 2013, and a bonus disc was also made for the album, containing the leftover material from the main album as well as songs from Ghost², the unreleased compilation of leftover tracks from Ghost. Originally in 2012, Townsend stated that this album will be the sixth and the last album in the Devin Townsend Project series,[54] but he ultimately confirmed that Casualties of Cool is its own project.[55] Townsend also started a crowdfunding campaign through PledgeMusic to support the release of the album. The funding quickly reached its goal, and all additional funds were put directly to Townsend's upcoming projects.[56] Casualties of Cool was released on May 14, 2014.[57] The album was reissued worldwide on January 15, 2016 containing an additional DVD with live footage from the 2014 concert at the Union Chapel in London.[58][59]

From 2009,[60] Townsend worked on a long-running album project called , a sequel to the album Ziltoid the Omniscient (2007).[61] Originally in 2012, he teased he "may have just written the heaviest thing he's ever done" for the album, and told there might a surprising lack of Ziltoid himself appearing on the album. However, in August 2013, a London-based radio station TeamRock Radio aired the first episode of Ziltoid Radio, a satirical radio show hosted solely by Ziltoid,[62] as one element of the project.[63] Townsend also discussed a "ZTV" or "Ziltoid TV" would precede the album. After writing ideas for over 70 songs, Townsend stated he is finally going to finish the whole project, followed by the announcement the album will be released on October 27, 2014.[64] The recording process started in May 2014, and the final project includes the album, a Ziltoid TV program and a live show, with a "big graphic novel comic" and a documentary. The album itself is a double album, with disc one being the main album and disc two featuring Devin Townsend Project material; according to Townsend, the album's theme is "Ziltoid against the world". The Devin Townsend Project disc is called Sky Blue and the Ziltoid disc is called Dark Matters.

After finishing the album, Townsend stated the project was "punishing" and an "absolute nightmare to complete" due to amount of material against tight schedules. He also described the hardship of the project by telling "if he was ever going to start drinking [again], the last months would have been it", but now "he's starting to get excited again". Later, "after the chaos of finishing it had subsided", Townsend stated he is really satisfied with the result.

Townsend recently discussed at least a year-long hiatus, beginning after the show taking place at the Royal Albert Hall on April 13, 2015.[65] During the indefinitely long[66] break Townsend intends to "recharge his batteries", "get some inspiration and experiences"[67] and to "see what the next chapter holds" for him.[68] He also began writing a symphony.

In 2014, Devin recorded a 'poppy sounding' song in Los Angeles with producer Brian Howes, but has decided against releasing. Devin mentioned he is against the project being contrived due to the current hard rock undertones in popular music. He described it as a "lukewarm heavy metal Devin song".[69] On December 11, 2015 Townsend announced via Twitter that he was recording vocals for a song by Steve Vai.[70]

The hiatus was proven shortlived when Townsend began writing and recording for Transcendence, a new DTP album, in 2016.[71]

Personal life[]

Townsend is married to Tracy Turner, his girlfriend since he was 19.[72] She gave birth to their first son, Reyner Liam Johnstan Townsend, on October 4, 2006.[73]

Musical style[]

Projects[]

Strapping Young Lad

Townsend designed his two main projects, the aggressive Strapping Young Lad and his more melodic solo material, as counterparts.[74] SYL's music was a diverse mix of extreme metal genres: death metal, thrash metal, black metal,[75], progressive metal, and industrial metal. Townsend's solo material blends many genres and influences, with elements of atmospheric ambient music,[76] hard rock, and progressive rock,[15] along with pop metal and arena rock.[77] He described it as "a highly orchestrated type of expansive music based in hard rock and heavy metal. Dense and produced with a large amount of ambient elements."[78] Despite Strapping Young Lad's greater mainstream acceptance, Townsend identifies more with his solo material, and had never intended SYL to be the focus of his music.[79] The project was disbanded in 2006, but its style has been revisited in some Ziltoid and Devin Townsend Project material.

Production style[]

As a self-proclaimed "fan of multitracking",[29] Townsend has developed a trademark production style featuring an atmospheric, layered "wall of sound".[33] Townsend has drawn critical praise for his productions, which "are always marked by a sense of adventure, intrigue, chaotic atmospherics and overall aural pyrotechnics", according to Mike G. of Metal Maniacs.[15] Townsend mainly uses Pro Tools to produce his music, alongside other software suites such as Steinberg Cubase, Ableton Live, and Apple Logic.[29] Townsend's musical ideas and production style have drawn comparisons to Phil Spector[33] and Frank Zappa. Townsend has carried out the mixing and mastering for much of his solo work himself or in tandem with other engineers. He has also mixed and remixed work for other artists such as Rammstein, Soilwork, August Burns Red, and Misery Signals.

Playing style[]

Townsend mainly uses Open C tuning (CGCGCE) for both six and seven string guitar (the added low string being G). He now also uses Open B tuning and Open B flat tuning (Open C tuning tuned a half and a whole step down respectively) on his six string guitars. Townsend's technique varies from fingerpicking, power chords and polychords to sweep-picked arpeggios and tapping techniques. He is also known for his heavy use of reverb and delay effects. He has expressed that he has no taste for shred guitar, saying that "musically it doesn't do anything for me" and that he only solos when he thinks that he can within the context of the song.[80]

Vocals[]

Townsend's employs a variety of vocal techniques in his work, including screaming, growling, and falsetto.[81] His vocal range has been noted to be over 4 octaves (C2 to Bb6).[82]

Influences[]

Townsend draws influence from a wide range of music genres, most prominently heavy metal. Townsend has cited, among others, Judas Priest, W.A.S.P., Frank Zappa, Broadway musicals, ABBA, new-age music, Zoviet France, King's X, Morbid Angel, Barkmarket, Grotus, Jane's Addiction, Metallica, Cop Shoot Cop and Fear Factory as his influences,[83] and has also expressed his admiration for Meshuggah on several occasions, calling them "the best metal band on the planet".[84] Townsend lists Paul Horn and Ravi Shankar as the "two most important musicians in his life".[85] The two songs that Townsend credits with changing the way he thought about music are "The Burning Down" by King's X and "Up the Beach" by Jane's Addiction.[86] City was influenced by bands such as Foetus and Cop Shoot Cop,[8] the latter of which was covered on the album ("Room 429"), and The New Black's influences were Meshuggah and "more traditional metal" like Metallica.[19] He is also influenced by orchestral and classical composers such as John Williams, Trevor Jones and Igor Stravinsky.[87]

Equipment[]

Townsend played ESP six and seven-string guitars from 1994 to 2009 during his endorsement with ESP. In the early days of Strapping Young Lad, he was seen playing an ESP Flying V-style 6-string with a single EMG 81 pickup and a custom graphic designed by Townsend. This was the guitar that was used during the shows in support of Heavy as a Really Heavy Thing and City. In addition to this guitar, Townsend also utilized an ESP EXP Explorer-style guitar with two EMG 81 pickups. During the late 1990s and the 2000s, he was also seen with two ESP Telecaster models (one white, one black) with EMG 81 pickups, which were used for the majority of his six-string material. Townsend also utilized two ESP Custom Shop Horizon 7-string guitars with a 27" baritone scale and EMG 81-7 pickups, which closely resembled ESP's Stephen Carpenter (Deftones) signature model. He has also been seen with the Stephen Carpenter SC-607 and SC-607B. He was also occasionally seen playing what is believed to be a Fender American Deluxe Stratocaster HSS during Accelerated Evolution and Synchestra-era shows (mainly for performing "Deadhead"). At the time, this was the only guitar Townsend was seen with that did not have EMG pickups, but was modified with a Seymour Duncan STK-S2n Hot Stack in the neck.

After returning to public view in 2009, Townsend began endorsing Peavey, and later released a PXD Devin Townsend signature model, essentially a Flying V-style 7-string baritone guitar with an EMG 81-7 pickup and a 7-string EMG SA single coil pickup in the neck position. Peavey also made Townsend a number of custom 7-strings, including one with a single EMG 81-7 pickup that is used for playing most of the material on Ziltoid the Omniscient. Aside from his signature model, Townsend also utilizes two custom 6-string Predator models made by Peavey; one with a natural flame-top finish and the DTP logo on the 12th fret, and one in a black finish with a Floyd Rose vibrato unit (for Open C and Open B tuning, respectively).

In 2012, Townsend announced that he was using other guitars besides his Peavey models, including two Sadowsky Telecaster models and a number of Framus semi-hollow body guitars.[88][89][90] In regard to this, Townsend stated on HeavyBlogIsHeavy.com:

"The Peavey situation was intense and a real eye opener in terms of how things REALLY work in the business side of endorsements, and I can’t say I really enjoyed it, but we got the guitar out and everyone is nice to each other so all good... I really like that V. However, I decided to use other guitars for other stuff as well, a Sadowsky Tele set, a Framus hollowbody group of guitars, and the V’s. No one is entirely happy with that decision, but I find it difficult to not be straight up with folks about what I want to play and do and have typically pissed people off as a result... The bottom line though is I like what I like and it is important to the music to be accurate with tones and vibe. The guitars I actually play, I really like, regardless of brand."

For Strapping Young Lad and solo projects from 1996–2004, Townsend mainly used the Peavey 5150 head, with Mesa Boogie and Marshall 4x12 cabinets, for his main sounds. Around 2005, Townsend began to utilize Mesa Boogie Dual Rectifier and Stiletto amp heads, boosted with a Maxon OD808, running into the Mesa Boogie and Marshall cabinets. He would also run a 3rd signal into a 1990s Roland GP-100, which would be amplified by a Mesa Boogie tube power amp. He would still make use of the Peavey head for some solo recordings, such as Synchestra. He also used a TC Electronic G-Force in tandem with his Mesa Boogie rig. Townsend switched to a Fractal Audio AxeFx system in 2010, replacing his entire Mesa Boogie and Marshall rig. He has been through a number of outboard modules that were mainly used for echo/reverb effects, something that Townsend is known for as a part of his signature sound. Townsend also utilizes D'Addario strings (.010-.052 and .010-.060) and Planet Waves Custom Series cables.

As of 2014, he reintroduced the Dual Rectifier into his rig using a wet-dry-wet setup with the Dual Rectifier being the center dry sound and the AxeFx being the stereo effected sounds using the model of the Dual Rectifier as a basis. In 2015, for live shows, the Dual Rectifier was replaced with a Kemper Profiling Amplifier, and the Roland GP-100 was retired in favor of effects in the Fractal Axe-FX.

At NAMM 2016 Dev introduced a signature set of Fishman pickups called Transcendence after the upcoming DTP album and a signature Framus guitar that features an original body shapes, the Fishman pickups and the Evertune Bridge.

The Early Years[]

The following is from a text file on the Physicist Enhanced CD:

Devin is a high school graduate who won a scholarship for literature, but turned it down to ultimately pursue music. He was president of the student council, which I'm told was won through quite a campaign, and he was a member of the choir and a few stage bands, playing guitar and tuba. After high school Devin completed broadcast school, and said goodbye to anymore formal education.

Dev picked up the banjo at age five, then moved on to guitar at age 12. He gave lessons through his teens and by age 15 was in a band writing and playing their own shows of Devin's own music. The band was called Grey Skies, which eventually turned into Noisescapes and was signed.

Devin got his break in the music industry when submitting a tape to Relativity Records back in the early 90s. This was coincidentally the label Steve Vai was making records for, and coincidentally Steve Vai was looking for a vocalist at the time.

"Well, I have five Hefty trash bags full of singers' tapes. They're all real cute, they all sing really well and they all write nice, safe stuff. But Devin Townsend made this tape called Noisescapes that's just the hardest core industrial, heavy metal-but-melodic music imaginable. He's 20 now, but he was just 19 when he made the tape. He sent it to my record company [Relativity] and I got it through them. As soon as I heard one minute of Devin, I knew he was someone special. We got together at my place in Tahoe. It was just me, him and my engineer Liz, rolling in the snow and jumping in my Jacuzzi. He has a really great attitude. He's willing to try anything. And he's really an extrovert - you know, a great lead singer".

In a nutshell, his tape made its way.

"I was 19 years old, working in Vancouver doing a bunch of menial bullshit jobs, everything from working in a steel mill to making second rate pasta dishes at shitty little pseudo-Italian restaurants. I had put together this demo called "Noisescapes" and sent it out in a pair of my old stinky underwear. I taped the cassettes to the crotch and put the bio in the top, and whoever I sent the tapes to, I'd address the underwear to them at the top, like "hey pal, these gibs are for you" or whatever. So one morning I got a call from Cliff Cultreri at Relativity, and they flew me to New York and gave me a deal for my own stuff. I started recording the "Noisescapes" album before any mention of Steve, then all of a sudden Cliff phoned me saying that Steve Vai needs a singer, he likes your tape, why don't you give him a call? So I did, and we hung out for a while, and we seemed to get along fine, so that was it .... a bit after that Relativity nicely scrapped Noisescapes, and I have a hunch they only offered me a deal to get me to sing with Steve."

Devin impressed (and scared) tons of guitar fans who happened to pick up the Vai disc. Not only was a fan base development begun but the doorway to his solo material swung wide open. The First Strapping Young Lad disc was soon in play. Heavy as a Really Heavy Thing, described by Devin as dump-trucks going across Antarctica with a beat underneath, hit the shelves from Century Media records. Devin hath delivered, and it was good. Next up on Dev's agenda was the Punky Bruster disc. Devin and Adrian, along with John Harder to take over for bass, were the three driving forces on this punk mockery titled Cooked on Phonics. With all its potential, Century Media still decided there wasn't enough of a market in the Americas. How could they be so naive, with song titles like Heinous Anus and Oats, Peas, Beans & Barley to show its genius? Some just don't understand. Among various other appearances Devin next ventured back into the writing process at Steve Vai's very own studio to record the second Strapping Young Lad disc, City. The heaviness that caused people to excrete upon themselves present in the first release was topped with City. A huge virtue to the band is ex-Death, Testament drummer Gene Hoglan to replace Adrian White, a double bass heavy monster with a face to scare the lollipop out of any child's fingers. With Jed Simon taking over guitars alongside Devin and Byron Stroud on bass, more of a "band" atmosphere was present in Strapping Young Lad, and beating your ass harder.

To follow with an international tour and a relentless live album, this was to be the final chaotic beating Devin was to offer the music world for quite some time. After the blur of Strapping came to a slow, Devin found himself writing for the Ocean Machine record. The project was a dramatic = change from the previous ventures of sonic recording, and went a lot deeper. Many of the songs were the other half of the original Noisescapes project, and many came to surface during the process at the time. This was also the first non-Century Media album, and aside from overseas distribution through Sony, the album was put out on the quaint little label that Devin runs with his wife Tracy, known to the silly masses as HevyDevy Records.

...mind you, its not that a nice deal with a helpful major label wasn't wanted, it just seems to be the general consensus between major labels to simply not be helpful.

Strapping and Ocean Machine took to touring overseas and were welcomed with huge responses. Everything was on. And everything was moving on. It wasn't long after Ocean Machine that Infinity was conceived, and this was to be the record that almost killed Devy-poo.

I can't fully remember everything that went on at the time. I remember reading an article written by Ginger (from the Wildhearts) about Devin having to take some time off because he was in the hospital after a harsh run in with his mind. Manic depression tends to do these things to people. Going that deep into the human spirit can always do crazy things to a human being. The result was Infinity. At the time, I didn't believe what I =was hearing when I put it on. I'm still not sure I do. It's a powerful enough record to make me have to write this paragraph in the first person objective. Let's just leave it at that. The album was also put out by HDR, and a tour followed which brought forth a set-list with just about everything a Devy-Metalhead could want. Some of these performances even ended up on an official bootleg HDR limited to about 100 copies around the dawn of 2000, and about the only other thing disc-wise after Infinity was a release of an EP for the song Christeen, which contained several demos that might-have-been-Infinity had they ever been taken as far as Devin had seen fit.

Devin currently hides out somewhere in the mists of Vancouver and can be seen playing the occasional acoustic show of new material, flipping off the occasional discourteous driver, and casting shadows upon the moon whilst shaking the occasional rabid cat off his feet. Just enjoy his music, dammit.

Appearances on other music projects[]

The following is from a text file on the Physicist Enhanced CD:
IR8 - A project with Metallica bassist Jason Newsted and Exodus drummer Tom Hunting. A 4 song tape was all that came of it. This was basically just a weekend jam session and nothing spectacular. If you're really insistent on finding it, it is rumoured to have been released on a 3 CD Metallica bootleg, and possibly some others as well in that case. Keep an eye out.

Front Line Assembly - Devin played guitar on these tracks from the album Millennium: "Vigilante," "Division of Mind," and "Sex Offender." These guys are one of the most prestigious industrial-esque bands out there, always a good word on their music. Devin also appeared on the album Hard Wired, doing guitar work on the tracks "Circuitry," "Modus Operandi," "Transparent Specis," "Barcode," and "Condemned."

Tree of the Sun - Along with Jason Newsted (Metallica), Scott Reeder (Kyuss), and Dale Crover (Melvins) produced a four song tape as the IR8 project did. This was apparently another metal fuelled project devised from Jason Newsted. NOT AVAILABLE ANYWHERE

James Murphy - Well known for his work in Testament, James Murphy had Devin guest on two tracks for the album Convergence. Devin provides vocals for "Since Forgotten" and vocals and keys on "The Last One." The disc is not a typical guitar solo album, and is full of crunching riffs, and blistering guitar work in a tasteful manner.

Working Man - Devin did vocals for the song "Natural Science" on this Rush tribute album, joined by James Murphy from above on guitar. If you hate Rush, this track still kicks all ass, as it has that Devin quality to it. Most Rush fans I've talked to hate this track more than any other. Way togo Dev! In stores.

Legends of Metal - The Judas Priest tribute from Century Media, Devin, along with John Harder, Marty Chapman, and Jed Simon ripped up a cover of Judas Priest's "The Sinner" for the lovely disc. Some other great bands as well.

Stuck Mojo - Devin took the role of producer/programmer on the Stuck Mojo disc, Pigwalk. Information on both Stuck Mojo and the Judas Priest disc.

Zimmers Hole - This is Jed and Byron's side project, filled with raunchy death guitar and in your face downright nasty cesspool humour. This is another example of Dev's producing work.

The Wildhearts - Anarchic Airwaves: The Wildhearts at the BBC. Devin plays on "Suckerpunch" and "Drinking About Life." Recorded live at the Reading Festival, August 28, 1994

Discography[]

Main article: Devin Townsend discography

Solo albums[]

Casualties of Cool[]

The Devin Townsend Band[]

Devin Townsend Project[]

Strapping Young Lad[]

References[]

  1. [http://web.archive.org/web/20080626183214/http://www.hevydevy.com/hdr_biography.html
  2. 2.0 2.1 Podcast Ep. 05 – "Beav" Waddell from Devin Townsend Project
  3. "Profile: Jed Simon." Zimmers Hole (official site).
  4. 4.0 4.1 4.2 Strapping Young Lad
  5. 5.0 5.1 5.2 5.3 Devin Townsend Biography
  6. 6.0 6.1 "Shrieking Havoc." September 1993 Guitar World
  7. [1]
  8. 8.0 8.1 8.2 [2]
  9. [3]
  10. Cite error: Invalid <ref> tag; no text was provided for refs named lageat-2001
  11. 11.0 11.1 11.2 11.3 11.4 11.5 11.6 11.7 11.8 11.9 Popoff, Martin. Lollipop Magazine issue 61.
  12. [4]
  13. [5]
  14. [6]
  15. 15.0 15.1 15.2 15.3 15.4 15.5 Cite error: Invalid <ref> tag; no text was provided for refs named maniacs-200309
  16. 16.0 16.1 Metal Hammer Interviews Devin
  17. Rolling Stone: "Pretty Hate Machine"
  18. 18.0 18.1 Interview with Gene Hoglan of Strapping Young Lad
  19. 19.0 19.1 Alternative Zine interview
  20. Interview with Strapping Young Lad March 20, 2003
  21. Rockzone SYL review
  22. Chronicles of Chaos SYL Review
  23. Strapping Young Lad Enter Billboard Charts
  24. Interview With Gene Hoglan
  25. Gibson, Doug (June 26, 2005). "Interview with Strapping Young Lad's Jed Simon." Metal Underground.
  26. Strapping Young Lad Re-Sign With Century Media, Begin Work on New Material
  27. Smit, Jackie (March 10, 2005). "Fury & passion in extremis." Chronicles of Chaos.
  28. Interview w/Devin Townsend of Strapping Young Lad
  29. 29.0 29.1 29.2 29.3 Interview with Devin Townsend
  30. [7]
  31. Interplay Signs Metal Bands for 'Fallout: Brotherhood of Steel'
  32. Townsend, Devin (January 7, 2005). "New news!" HevyDevy Forums. Retrieved December 5, 2008.
  33. 33.0 33.1 33.2 Cleveland Scene: Devin Townsend Band - Synchestra (dead link)
  34. Lee, Cosmo (2007). "Ziltoid the Omniscient: Review]."
  35. Toontrack (2010) "[8] Drumkit From Hell," Toontrack.
  36. Townsend, Devin (May 10, 2007). "From Dev." HevyDevy Forums. Retrieved November 26, 2008.
  37. "Metalocalypse" Brendon and Tommy. September 21, 2006
  38. 38.0 38.1 38.2 38.3 38.4 Genghis & Ragman (May 10, 2009). "Podcast #80 – Idol." The Right to Rock.
  39. 39.0 39.1 Raven, Paul Graham (April 11, 2009). "Interview: Devin Townsend." The Dreaded Press. Retrieved April 14, 2009.
  40. 40.0 40.1 40.2 40.3 Blabbermouth.net (March 20, 2009). "Devin Townsend to return this summer with Ki." Retrieved April 12, 2009.
  41. InsideOut Music. "Devin Townsend – Ki."
  42. "Devin Townsend to Perform Entire Ziltoid Album at Finland's TUSKA Festival." Blabbermouth.net. February 12, 2010. Retrieved February 14, 2010.
  43. "Devin Townsend Announces Track Listing for 'Contain Us' Box Set." Inside Out Music. November 16, 2011.
  44. > News > DEVIN TOWNSEND – Footage From Sold Out Performance of Ghost Album Online. July 23, 2012
  45. BraveWords.com. "[9]"
  46. http://www.finnishcharts.com/showitem.asp?interpret=Devin+Townsend+Project&titel=Epicloud&cat=a Devin Townsend Project – Epicloud (Album)@ Finnishcharts.com
  47. Townsend, Devin (October 9, 2012). The Retinal Circus on DVD and Blu-ray, scheduled release Q2/2013. Facebook.
  48. Townsend, Devin (August 12, 2013). The Retinal Circus, now available to pre-order. Facebook.
  49. BLABBERMOUTH.NET – BENT SEA: Another Track Available For Streaming. July 23, 2012}}
  50. https://twitter.com/dvntownsend/status/2051679694 Devin Townsend on Twitter
  51. 51.0 51.1 Clark, Evan (August 28, 2012). Devin Townsend: Productivity and the Urge for Understanding — The HBIH Interview [Part Two]. Heavy Blog Is Heavy. Retrieved September 5, 2014.
  52. 52.0 52.1 Devin Townsend Working on Casualties of Cool Side Project | Theprp.com – Metal, Hardcore and Rock News, Reviews and More
  53. Devin Townsend on Twitter
  54. "Casualties of Cool is the end of the Devin Townsend Project" Metal Hammer 11/2012. The Retinal Circus special. pp. 15. 2012-10-29.
  55. Townsend on Twitter
  56. "Casualties of Cool." PledgeMusic. Retrieved March 3, 2014.
  57. "The Casualties of Cool Pledge campaign has started." Devin Townsend official Facebook page. February 22, 2014.
  58. "[10]"
  59. "[11]"
  60. "Ziltoid Part 2... Z2." MetalSucks. November 17, 2009.
  61. Townsend, Devin (January 16, 2012).Just finished writing track one for Z2. Twitter
  62. "Devin Townsend's Ziltoid gets TeamRock Radio show." TeamRock Radio. August 21, 2013.
  63. "Devin Townsend's TeamRock Radio show is part of the Z2 project." TeamRock Radio. August 21, 2013.
  64. Twitter / centurymedia
  65. Devin Townsend interview with TotalRock @Sonisphere 2014
  66. Devin Townsend Project – London Royal Albert Hall – 13 April 2015. YouTube.
  67. Cite error: Invalid <ref> tag; no text was provided for refs named break2015
  68. Z² official announcement. Devin Townsend official Facebook page.
  69. Episode 42 - Devin Townsend
  70. Townsend on Twitter
  71. DEVIN TOWNSEND PROJECT To Begin Recording New Album In March
  72. Strapping Young Lad Feature Interview At Blistering.com
  73. HDR News
  74. Metal Rules interview
  75. Decibel Alien review
  76. Revolver April 2003: "A Lad Insane"
  77. Henderson, Alex. Accelerated Evolution: Review. Allmusic.
  78. Devin Townsend: My Music is like Sugar coated nightmares (Jazzandrock.com)
  79. Throat Culture, Summer 2003. "Strapping Young Lad: Devin Townsend"
  80. Devin Townsend on creating the 'heavy sound'
  81. Interview: Strap On for a Fun Ride With Lad
  82. Vintage Vinyl News: Digging Deeper
  83. In Music We Trust interview (2008)
  84. The New Raging Bull! - Strapping Young Lad interview at Guitar Player
  85. Metalsucks Interview
  86. Metal, Hummus, and Sex: An Interview with Devin Townsend
  87. Devin Townsend masterclass
  88. Video: Devin Townsend on his Framus Guitar
  89. Video: AK1974 "Mandelbrot" for Devin Townsend
  90. Video: Devin Townsend AK1974
  91. https://twitter.com/dvntownsend/status/646714867609567232

External links[]

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